Pebble Mill at One was a popular British lunchtime magazine, broadcast live from Monday to Friday at 13:00, mainly on BBC1. It was transmitted from the Pebble Mill studios of BBC Birmingham, and uniquely, was hosted from the centre's main foyer area, rather than a conventional studio. In the beginning, visitors to the studios were seen arriving in the background as the programme was transmitted.Reasons for this were: a planned third studio was never constructed on the site, and existing facilities were fully booked for network drama production and local news. Gradually, as the show was successful, the foyer became a studio, and visitors had to use a new entrance. The show ran from 2 October 1972 to 23 May 1986, under various programme Editors including: Terry Dobson, Jim Dumighan, and Peter Hercombe..For most of that period there were few television programmes transmitted in Britain on any channels during the day. For this reason the programme acquired a unique following from those who found themselves at home at lunchtime. Housewives, students, and those recovering from an illness remember it with fondness for its variety and the problems inherent with live television. Its best remembered theme tune was "As You Please" by the Raymond Lefevre orchestra.

Pebble Mill was a re-launched version of the 1970s daily chat show Pebble Mill (also known as Pebble Mill At One for a while) which aired on BBC1 in the United Kingdom. The series premiered on October 14, 1991. The show was a mixture of celebrity guests and music. Alan Titchmarsh was a presenter on the show throughout it's complete run. Other presenters included Judi Spiers, Gloria Hunniford and Ross King.

A series of live BBC television plays broadcast from Pebble Mill Studios in Birmingham.

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In the remote village of Calder's End stands an old windmill, a repository of dark secrets. Nicholas Grimshaw has returned to this haunted place, his childhood home, intent on breaking a generations old family curse. Grimshaw's journey takes him deep below the decaying mill,into mysterious, forgotten catacombs, where upon he confronts the very source of the evil that has corrupted his family. The Mill at Calder's End is a gothic tale inspired by the tales of Edgar Allan Poe, H.P. Lovecraft, and M.R. James and is told with the use of 36 inch tall bunraku rod puppets operated by puppeteers dressed in black.

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Famous actors and TV presenters Nikolai Fomenko and Ivan Urgant want to celebrate the holiday quietly and calmly, but, having lost their way, they end up in an enchanted house that does not let them out until the heroes believe in the New Year, a real fairy tale and a miracle, immersing themselves in the atmosphere of popular films.

In 2015, with the greeting "ONE IN A MILL10N, TWICE!", a new K-pop group stepped onto the world stage. From chart-topping anthems like "CHEER UP," "TT," "What is Love?," "FANCY," and "Feel Special," TWICE captured hearts far beyond Korea, becoming a global phenomenon. This documentary follows their decade-long journey—countless hours of dedication, the dazzling spotlight of worldwide tours, and candid reflections on their growth, friendship, and even their dreams for the future. For ten years, brighter than any stage light, 'ONCE' has been at the very heart of their story. Through never-before-seen interviews and the heartfelt process of preparing a 10th anniversary celebration, the film reveals what TWICE has truly meant to one another—and to the fans who have walked beside them. On their 10th anniversary, 〈ONE IN A MILL10N〉 comes to the screen, revealing the true reason behind the existence of TWICE—a group like no other.

At One Fell Swoop deals with a stone carver and his metamorphic wander through rural Ireland. In passing he slips through the film's frames into a re-imagining of his surroundings in which he finds himself trapped on an intense cataclastic path towards a dead end. Photographed on expired 16mm black and white film and entirely hand-processed, At One Fell Swoop resembles a phantom-like film lodged amid multiple stratums of time and space.